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La Marquise de Merteuil |
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Valerie Holland |
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Mme de Volange |
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Sophie Millward |
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Cécile Volange |
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Kate Duffy |
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Le Vicomte de Valmont |
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David Reid |
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Azolan |
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Jonathan Cheetham |
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Mme de Rosemonde |
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Val Kelsey |
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La Présidente de Tourvel |
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Claire Boulter |
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Émilie |
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Julia Pegg |
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Le Chevalier Danceny |
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Alex Brade |
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Servant |
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Frank Badger |
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CREW | ||
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Director |
David Reid | |
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Stage Manager |
Emma Kenny- | |
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Production Assistants |
Judy Colby, Phil George Valerie Holland, Linda George, Claire Boulter | |
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Wardrobe |
Judy Colby | |
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Lighting |
Phil George, Becca Turner | |
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Sound |
Matt Johnson, John Rush | |
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Set Construction |
Members & Friends | |
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Front of House Manager |
Susan Oxley | |
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Tickets & Box Office |
Peter Oxley, Jill Wright | |
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Programme & Flyer |
Phil George, David Reid | |
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Photography |
Peter Colby, Phil George | |
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Make- |
Fuchsia Darley & Friends | |
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La Marquise de Merteuil and Le Vicomte de Valmont scheme and seduce with vengeful and cynical hearts, corrupting and destroying the reputations of the innocent with their cruel games.A witty, decadent and darkly seductive peep into the wicked world of two ruthless aristos.Book now or heads will roll.

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FROM THE PROGRAMME
Les Liaisons Dangereuses ( Dangerous Liaisons), written in 1782 by Pierre Choderlos
de Laclos is one of the finest examples of the epistolary novel -
Laclos intended his novel to reflect the state of eighteenth century French female education and its moral consequences, and it is also a morality tale about the corrupt, squalid nobility of the Ancien Régime. We are witness to the decadence of the aristocracy prior to the French Revolution.
Christopher Hampton’s play, adapted from the novel, explores these themes and condenses the sprawling scope of the novel into a refined narrative while remaining faithful to its concerns. He focuses on the power struggles between the devious and intelligent protagonists (Merteuil and Valmont) and the sexual manipulation, humiliation and degradation they inflict on others.
Approaching this play Midland Players realised, despite its eighteenth century setting,
how thoroughly modern this play is. Recognising the deception and self-
The language proved an exciting challenge for the actors. We found the words formal
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La vengence est un plat qui se mange froid
( Revenge is a dish best served cold )
Dangerous Liaisons is a dish that burns like ice.
Pierre Choderlos de Laclos, who was born in Armiens on October 18th 1741, was not
only a novelist but also an inventor and eventually a general serving in Napoleon’s
army. He had previously published only poetry and a comic opera when he began this
classic tale of seduction, revenge and human malice while garrisoned at Île-
He was on the island to help supervise the rebuilding of the fortifications which had been severely damaged during the Seven Years War about 20 years earlier. (20 years after the rebuilding, the region’s fortifications were extended further by the construction nearby of Fort Boyard now famous as the base for the TV game show).
Laclos continued to work on the novel during periods of extended leave in Paris. On its publication it was an immediate but scandalous success.
By the time the Revolution began in 1789 Laclos was on the staff of the Duc d’ Orléans. He was arrested twice and fully expected to be guillotined. However he was released and was eventually rehabilitated back into the army as an artillery general. He died in 1803 in Italy.
The Flyer 

Midland Players Amateur Dramatic Society, Sheffield, UK