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GASLIGHT By Patrick Hamilton
5th to 8th November 2003, Sheffield University Drama Studio

 

 

 

 

 

 

 

 

 

 

CAST

Mr Manningham           

 

Frank Badger

Mrs Manningham

 

Kay Brough

Sgt Rough

 

Peter Oxley

Constable Swift

 

William Bird

Elizabeth

 

Clara Hamon

Nancy

 

Alex Jordan

CREW

Director   

 

Susan Oxley

Asst Director

 

Helen Lenthall

Stage Manager

 

Becca Turner

Assistant Stage Managers

 

Anand Paynter, Matthew Bell

Lighting

 

Phil George, John Rush,

Becca Turner  

Sound

 

John Rush

Set Design

 

Simon Warner

Set Construction

 

Members & Friends

Wardrobe

 

Judy Colby

Front of House

 

Jill Wright and
members of the Society

Tickets & Box Office

 

Jan Wilson

Photography

 

Peter Colby

Programme

 

Becca Turner

Publicity

 

Jill Wright, Emma Blackburn & Matthew Bell

Midland Players Amateur Dramatic Society, Sheffield, UK

A tense gripping tale of obsession and cruelty . In this house of death, Maningham is driving his wife Bell insane. Will she deteriorate into madness like her poor mother, or will Sgt Rough be able to rescue her?

Patrick Hamilton, (1904-1962) novelist and playwright, was the youngest of three children born to Bernard and Ellen Hamilton. A prolific writer, he had more than thirty works published, the most famous being The Rope and Gas Light. He was educated at Holland House School (Hove, Sussex), Colet Court (London), and Westminster School. At the age of seventeen he began work as an actor/assistant stage manager for Andrew Melville.

Hamilton was married twice (Lois Martin, Ursula Stewart). A very bad road accident in 1932, which left him permanently disfigured, is thought to have contributed to his depression and heavy drinking. He died on 23 September 1962 of cirrhosis of the liver and kidney failure. His works deal with murder and violence in atmospheres of menace and malevolence. He had a particular gift of being able to create psychopathic and schizophrenic characters.

J.B. Priestley praised Hamilton’s gift in describing ‘a kind of no-man’s-land of shabby hotels, dingy boarding-houses and all those saloon bars where the homeless can meet’

Susan Oxley